#Spotlife movement pro

#Spotlife movement pro

My favourite has to be A Tapestry of Sacred Music (usually held in April), which celebrates spiritual music and movement from around the world.The Ring Spotlight Cam Pro Solar model features Ring’s radar-based motion detection and Bird’s Eye View feature that can show a path of movement in recorded videos. Some of the performances held here are part of themed festivals. The venue is inspired: close to a body of water with a view of the skyline. There are often performances happening along Esplanade’s waterfront. “Ride the MRT two stops from Nicoll Highway station to Esplanade station. The Projector is Singapore’s only indie cinema 8pm In 2017, I was a part of Aimless, a pop-up performance at Golden Mile Tower’s open-air carpark where audience members could take in views of the Singapore city centre while experiencing subtle sound, movement and imagery.” “From Arab Street, it’s a 10-minute walk to Golden Mile Tower, home to indie cinema The Projector, where you can catch arthouse films that aren’t screened at mainstream cinemas. I also like the art park next to Malay Heritage Centre for its old-school swings and avant-garde installations.” 5pm Aliwal Arts Centre is also worth a visit as there are often performances taking place in and around the building. “ Arab Street is a feast for the senses with its many textile stores, colourful murals covering the walls, and the sound of azan (Islamic call to prayer) punctuating the air several times a day. There are over 10 art galleries here, most of which have rotating exhibitions showcasing the work of local, regional and international artists.” Gillman Barracks is a contemporary arts cluster with over 10 art galleries 3pm But it’s also a great daytime spot, especially if you’re looking to escape the hustle and bustle of the city. By night, it’s a lively space for performances and installations, as well as a top haunt for local art enthusiasts. “The vibe of Gillman Barracks is different depending on the time of the day you visit. “It gave them new perspectives of places they had encountered multiple times before,” she says. This has manifested in performances like Move Along, a collaboration with Australian artists for Singapore Design Week 2019, where participants walked through underutilised spaces in Bugis, wearing headphones playing soundtracks formed using sounds in Singapore. While Ruby Jayaseelan’s background may be in Bharatanatyam (an Indian classical dance combining footwork with complex sign vocabulary, using the hands, eyes and face), her personal movement methodology “uses Eastern philosophies and practices, and Western experimental and somatic thinking”. She continues to go from strength to strength as an artist and a creative collaborator,” says playwright Haresh Sharma. She’s one of those rare artists adept at both traditional and contemporary dance, and her performances often incorporate these elements beautifully.

Ruby Jayaseelan is a movement artist and her work is equal parts beautiful and fascinating. “I was moved the first time I saw Ruby perform during an audition for one of The Necessary Stage’s interdisciplinary productions.